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Volume 63, Issue 3

Front Cover by Parastoo Anoushahpour
Still from: The Time That Separates Us, 2022
Courtesy of the artist

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Performance

May 25, 2022
By
Mark Franko

The 2022 Stravinsky Festival began with an orchestral performance of Fireworks, one of Stravinsky’s early successes, which according to musicologist Charles M. Joseph in his book Stravinsky’s Ballets first drew Diaghilev’s attention to the composer in 1909.

April 11, 2022
By
Mark Franko

Ever since last September, the return to a normal performance schedule at New York City Ballet has brought with it a fervor visible not only in a renewed energy, resolve, and an evident joy in dancing after a trying pause, but also palpable in the intensity of feelings dancers display on stage.

April 6, 2022
By
Jonathan Berger

This Saturday, April 23, at Carnegie Hall, the Kronos Quartet will be again performing composer Jonathan Berger's powerful Vietnam War suite

April 1, 2022
By
Lynn Garafola

Excerpt from La Nijinska: Choreographer of the Modern. Forthcoming from Oxford University Press, 688 pp., April 2022.

November 8, 2021
By
Ifa Bayeza

Carl Hancock Rux is a tour de force. We first met at a Theatre Communications Guild panel in 1998. That day, he invited me to his concert performance which launched Joe’s Pub at the Public Theater on October 16.

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