Search the Site


10 Questions

10 Questions for Bruna Dantas Lobato

- By Abby Macgregor

“It was raining, raining, raining, and I was going into the rain to meet him, no umbrella or anything, I was always losing them in bars. I was holding just a bottle of cheap cognac tight against my chest, hard to believe it said this way, but this was how I was going through the rain, a bottle of cognac in hand and a wet pack of cigarettes in my pocket. At one point I could have taken a cab, but it wasn’t very far away, and if I took a cab I could buy neither cigarettes nor cognac.”
—from “Beyond the Point” by Caio Fernando Abreu, translated from Portuguese by Bruna Dantas Lobato, Spring 2019 (Vol. 60, Issue 1)

Tell us about one of the first pieces you translated.
It was another story by Caio Fernando Abreu...

10 Questions

10 Questions for Christy Crutchfield

- By Abby MacGregor

“The old man yells stories at Cooper. ‘My buddy was deep in before he came face to face with a beaver.’

The old man says his buddy’s hands were too far into the cat­fish’s mouth—maybe a forty-pound fish—to protect himself, and the beaver tore his face off. Neither his buddy nor the catfish, probably, survived.”
—from “Handfishing”, Spring 2019 (Vol. 60, Issue 1)

Tell us about one of the first pieces you wrote.
My mother recently found a story I wrote and illustrated for my grandmother when I was about eight. It’s about a hamster named Smokey. None of the other hamsters like her. The story ends there. Endings have always been hard for me.

What writer(...

Favorite Things

What Is a Classic?

- By Mark Franko

Photo: Ballets-USA program cover in 1958 (from the collection of Mark Franko)

In its continuing celebration of the 100th anniversary of Jerome Robbins this past winter season, New York City Ballet has revived one more Robbins work, a piece dating back to 1958—New York Export: Opus Jazz.[1] An ensemble work for sixteen dancers with a jazz-inspired score by Robert Prince and sets by Ben Shahn, New York Export: Opus Jazz was first shown on a tour of Robbins’s Ballets U.S.A. in Europe and later had its New York City premiere in an all-Robbins Broadway season.[2]


10 Questions

10 Questions for Jim Daniels

- By Abby MacGregor

At the Saturday market, enormous eye-
bulge of skinned rabbits. My son, nine,
bulges back, looking, but not.
—from “Natural Selection”, Spring 2019 (Vol. 60, Issue 1)


Tell us about one of the first pieces you wrote.
I’ll tell you about the first two pieces I got published, in the same issue of my high school literary magazine, because they led me down a path I continue on today. One was a horrible piece of teen angst that was written based on what I thought poetry was supposed to be about and sound like: “I who am about to die/I who weep but cannot cry…” The other, “Growing Up in a Party Store,” was my first real poem—it was set in the store I worked in for...

10 Questions

10 Questions for Dana Alsamsam

- By Abby MacGregor

With grapefruits & apricots. Without a cat or a dog.
With my father who wanted a son. With my mother who wanted
nothing but closed lips, nothing but nothing. With my father’s head
shaking slightly. With photographs sealed in boxes in the closet.
—from “Self Portrait With & Without”, Spring 2019 (Vol. 60, Issue 1)

Tell us about one of the first pieces you wrote.
I don’t remember when my writing turned into “pieces” per say—but I used to write a lot about trains and bridges.

What writer(s) or works have influenced the way you write now?
My literary lineage has given me so much; particularly queer folx, Muslims, and immigrants or children of...

Join the email list for our latest news