The Massachusetts Review presents the latest Working Titles e-book: THE TOMBS OF GUY DEBORD by Jean-Marie Apostolidès, translated by Laure Katsaros and René Kooiker—available this week!
“Montaigne had his quotations; I have mine,” Guy Debord claimed in his autobiography, ...
The Massachusetts Review presents the latest Working Titles e-book: ON THE QUAY AT SMYRNA by Margot Demopoulos—available this week!
From ON THE QUAY AT SMYRNA:
“Look for color in the shadows!” Madame La Fleur fanned herself with a workbook on natural light. “...
The Massachusetts Review presents the latest Working Titles e-book: TABLE FOR ONE by Yun Ko Eun, translated by Lizzie Buehler—available this week!
From TABLE FOR ONE:
THE CUSTOMER COMES in alone. The owner is a bit slow-witted...
The Massachusetts Review presents the latest Working Titles e-book: THE KEEPERS OF THE GHOST BIRD by Jenn Dean—available this week!
From THE KEEPERS OF THE GHOST BIRD:
From the air, Bermuda resembles a jeweled and pregnant seahorse, hanging by its tail from the Sargasso Sea. Its top and bottom wrap around two ancient volcanic calderas, one at Castle Harbor and one at Dockyards. In between, Bermuda’s twenty-one square miles twine along a fragile, curving spine of limestone. From a taxi van, the coastline uncurls past the windows: the rose sand, the bitter green foliage of tamarisk trees, stunted windblown evergreens, and the blue southern tip of the Sea.
Beneath the water,...
The Massachusetts Review presents the latest Working Titles e-book: “THE LEADER by Nouri Zarrugh-–available this week!
From THE LEADER:
That last February before the war and the hard years that were to follow it, forty-one years after the Leader’s revolution, Laila woke to the sound of explosions in the street. She sat clutching the blanket, eyes darting, half expecting to find herself buried in dust and rubble, her vision slowly adjusting to the familiar sight of the armoire and the floral cushions piled beside it, the matching nightstand and the ceramic lamp and on the other side of them, undisturbed, the sheets tucked and folded, Hajj Yunus’s empty bed, glowing in the faint...
Front Cover by Toyin Ojih Odutola. What Her Daughter Sees, 2018. PASTEL, CHARCOAL, AND PENCIL ON PAPER. © Toyin Ojih Odutola.
Courtesy of the artist and Jack Shainman Gallery, New York.
