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Interviews

10 Questions for Cindy Juyoung Ok

- By Edward Clifford

I stay outstretched in a November
coat, not abundant and not wanting
to be. A machine I own mistook shootings

for students in a transcript, ushering
me to tilt canals toward titles and curate
hedges into pages.
—from "Table of Contexts," Volume 64, Issue 1 (Spring 2023)

Tell us about one of the first pieces you wrote.
In kindergarten I wrote a neat cursive reflection during recess expressing elaborate distress over a change in dynamic between me and two other five-year-old friends, and drew Mary Poppins, who I guess represents reconciliation. I have another piece from that age that starts: “Once I had the best dream that I’ve ever had.”        ...


Interviews

10 Questions for Ann Lohner

- By Edward Clifford

Emergency crews got through a week after the storm. They cleared downed power lines and sawed through fallen trees, creating a way in and out and delivering food and water. But the heat was still off, and another storm was on the way, so Kate swept the prescription bottles into a bag that she wedged in the car between the walker and the wheelchair.
—from "Postmortem," Volume 64, Issue 1 (Spring 2023)

Tell us about one of the first pieces you wrote.
My early fiction includes a trilogy that commences with Max pursuing Anne into debt and exile in the Rhineland, far from the shtetl where his family trades foals and theories about who fathered Anne’s child. The trilogy spans the world wars, and I wrote it during my time in...


Interviews

10 Questions for Julieta Vitullo

- By Edward Clifford

I should ask my mom if the blue-plaid, pleated skirt I wore for a few years in my childhood was an off-the-rack item or if she made it in her sewing class. When I first got it, I would reserve it for special occasions, but as the novelty wore off I started using it as a daily garment under the school uniform, a white smock worn by every elementary-age public school student in Argentina.
—from "The Pleated Skirt," Volume 64, Issue 1 (Spring 2023)

Tell us about one of the first pieces you wrote.
I wrote my first piece when I was six, on a school notepad sitting at the kitchen table in the apartment where I grew up. It was called “El libro perdido” (The Lost Book) and told the story of a boy who lent his favorite book...


Interviews

10 Questions for Jordan James

- By Edward Clifford

If you give me half of what your brought to the stage last night, I'll make you a record, girl. That's what I tell Adriana. Her stage name is Adie Wells, but I've known her since monkey bars and hopscotch.

She says, You goin' think half when I blow a hole through this mic.

I say, You better, or you and the Passionfruit are headed back to Lester's.

No the, she says. Just fruit.
—from "Adie Wells and Passionfruit," Volume 64, Issue 1 (Spring 2023)

Tell us about one of the first pieces you wrote.
I consider my first piece(s) to be a series of action/adventure/fantasy vignettes co-written with my cousin and childhood best friend. As children with wild imaginations, we...


Interviews

10 Questions for Kathryn Petruccelli

- By Edward Clifford

Early August. The sun serious
about itself, the breeze moody
as an infant, hushing its breath
to a whisper, watching, then lifting
all it had into a burst of joy.
—from "Prophet," Volume 64, Issue 1 (Spring 2023)

Tell us about one of the first pieces you wrote:
I’m assuming you don’t want to hear about the middle school stuff that involved rainbows and much angst. (An early grasp on paradox?) But when I was about 30, I discovered the then-flourishing world of poetry slam and wrote a piece about trying to be more Zen while finding all the good writing fodder in edgier circumstances. Slam was great for my voice at the time, and I enjoyed the idea of speaking for three minutes without anyone...


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